"Missing" replays the "Search" formula while flipping generation text
"Missing" replays the "Search" formula while flipping generation text
"Searching" was released in 2018 before the coronavirus pandemic hit, but thanks to hindsight, it looked like the final Covid movie, fearfully focusing on the father searching the web for clues about his missing daughter. "Missing" flips the script generations, in a film that is still twisted and can be seen in action, perhaps inevitably, to reach an "update" in the formula. This time, perhaps suitable, 18-year-old John ("Euphoria's" Storm Reid) who is forced to look for her widowed mother (Nia Long) who is no longer as scheduled after a trip to Colombia with her new boyfriend (Ken Leung). It doesn't do us any good that June was distant and violent—annoyed that mom would be away on Father's Day—resulting in guilt along with surprises as her search reveals shocking clues and secrets on an almost equal scale.
Written and directed by Will Merrick and Nick Johnson, who edited the previous film starring John Chu, "Missing" again filters the audience's point of view through a computer screen, and has great pleasure in showing how traceable people can be online, from credit card receipts, cell phone locations to Ring videos and cameras located in heavily trafficked tourist sites. Putting the daughter in the case also adds some amusing wrinkles to the whole concept of how well different generations have mastered technology, including June's smarter mother's ability to navigate developments like Facetime and decrypt passwords. However, the "missing" seems to be plagued by the desire not only to match but surpass its predecessor, giving rise to some torments that are reflected in the latter run. Until then, the film does the impressive job of keeping the audience confused as conflicting pieces of information fall, pointing to the hectic month of June in different directions, in a state of constant excitement that Reed conveys magnificently.

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